Tom Ellis Interview About ‘FBI’ Spinoff ‘CIA’
Spoiler Alert: A Dangerous Alliance in the Shadows
The movie plunges us into a world where secrecy is not only a rule, but a lifeline. The CIA, with all its covert layers, becomes the stage for a story that dares to expose the cost of working in the shadows. At first glance, it may appear to be another procedural thriller, but this film stretches beyond the expected boundaries. It explores the very heart of why agencies built to protect a nation so often clash instead of collaborating.
The central premise builds on an uncomfortable truth, one that history has already carved into memory. After the tragedy of 9/11, it became evident that much of the devastation might have been prevented had intelligence agencies shared more information. This movie seizes that concept, twisting it into an engaging narrative. What happens when two rival institutions, each with its own way of working, are forced into an uneasy partnership? Could cooperation yield results, or would the very differences in their methods spark new conflicts?
That question drives the story forward. At its core is the pairing of two men from different worlds, united by circumstance but divided by philosophy. One is a seasoned field officer from the CIA—Hart, the film’s enigmatic protagonist. The other is an equally determined agent from the FBI, a man deeply grounded in procedure, legality, and a belief that order is the best weapon against chaos. Together, they are tasked with navigating a joint mission, and what begins as a professional necessity soon evolves into a turbulent, volatile relationship that constantly teeters between trust and betrayal.

Hart, played with a layered complexity, is no ordinary agent. He is the embodiment of the CIA’s reputation—someone who uses guile, deception, and moral ambiguity as tools of survival. For him, lies are not a betrayal of his oath but rather the very mechanism that allows him to operate in a treacherous world. Hart is skilled, resourceful, and hardened by years of fieldwork. Yet the irony of his assignment gnaws at him: he is no longer dispatched to distant warzones or undercover operations abroad. Instead, he finds himself stationed on home soil, in New York City, a posting many of his peers would dismiss as dull or insignificant.
But the film makes it clear that “home soil” is anything but safe. New York becomes a labyrinth of shadows where enemies are not only foreign operatives but also internal politics, bureaucratic turf wars, and the paranoia of a post-9/11 security landscape. Hart, though confined to what appears to be the “boring end” of CIA work, soon realizes that danger in America’s heart is far more insidious than he imagined.
The FBI agent, meanwhile, represents the opposite pole. Unlike Hart, he believes in transparency, procedure, and the moral obligation to uphold the law even in the face of uncertainty. He doesn’t lie easily, and he despises the idea that deception can be normalized as part of the job. His disdain for Hart’s methods sparks immediate tension. Every strategy Hart proposes, every shortcut he takes, feels to the FBI man like another line crossed, another betrayal of what their duty should stand for.
Their working relationship becomes a powder keg. While they are undeniably effective as a team—bringing together the CIA’s field ingenuity and the FBI’s procedural discipline—they clash at every turn. Arguments over ethics and tactics are constant, but these very disagreements give the audience a gripping display of contrasting worldviews. Hart might view lying as a necessity, while his partner sees it as corruption. The FBI man might insist on paperwork and protocols, while Hart views bureaucracy as a deadly obstacle. This dichotomy gives the film its pulse, raising the stakes in every mission they undertake.
As the story unfolds, the viewer is invited into the gray zone where right and wrong blur. Missions reveal layers of conspiracy, suggesting that the greatest threat might not be a foreign enemy but the system itself. Each case they tackle becomes less about solving a puzzle and more about questioning the very foundations of trust—between individuals, between agencies, and between a government and its people.
Hart, in particular, embodies this theme of moral ambiguity. He is neither hero nor villain but something far more unsettling: a man who operates in a permanent state of compromise. His brilliance lies in deception, but deception corrodes him from within. The audience is left to wonder whether he can still distinguish between the lies he tells as part of the job and the lies he tells himself to survive emotionally. This complexity makes Hart riveting to watch. For the audience, his duplicity becomes entertaining, even magnetic. But within the narrative, it is a source of constant danger, threatening to fracture the fragile partnership holding the mission together.
At times, Hart’s tactics save lives, proving his approach has merit. Yet just as often, his manipulations spiral into chaos, forcing his FBI counterpart to clean up the wreckage. This back-and-forth dynamic creates an unpredictable rhythm. The viewer is never sure whether Hart’s schemes will end in triumph or disaster, and that uncertainty becomes one of the film’s most compelling elements.
Beyond the interpersonal conflict, the film raises broader questions about national security, secrecy, and the price of protecting freedom. What is the cost of withholding information? What risks arise when agencies guard their power more fiercely than the lives they are sworn to protect? By dramatizing the consequences of poor collaboration, the movie becomes more than entertainment—it becomes a meditation on the failures of institutions meant to safeguard society.

As the climax approaches, Hart and his FBI partner are forced into their most difficult mission yet. Their target is no longer an external enemy but an internal threat born from the very flaws in their system. To succeed, they must bridge the chasm between them, merging Hart’s cunning deception with the FBI man’s rigid adherence to the law. The tension is unbearable because each must surrender part of themselves to make the partnership work. Hart must admit that lies cannot solve everything, while the FBI agent must acknowledge that rules alone cannot save lives.
The resolution, however, is bittersweet. Their cooperation proves devastatingly effective, but it also leaves scars. Both men walk away changed, their worldviews shaken, their trust in their own institutions fractured. Hart, in particular, is forced to confront the emptiness of a life built on deceit. Yet for all the damage, the partnership also plants a seed of possibility—what could happen if agencies truly learned to work together, sharing knowledge instead of hoarding it?
The movie closes with that very question lingering in the air. It does not offer a neat solution, because in the real world there are none. Instead, it delivers something far more powerful: a story that mirrors the challenges of our time, one that forces the audience to consider how fragile the truth becomes when secrecy reigns unchecked.
In the end, the spoiler is clear: this is not just a film about spies and agents. It is a story about trust, lies, and the fine line between protection and betrayal. Hart, with all his flaws and brilliance, becomes a symbol of the shadows we live with every day—the choices made in silence that shape the fate of millions.